Reprinted from ‘Make it Minnesota‘

Living in Itasca County is a blessing with its idyllic crossroads of Minnesota’s Nature and growing rural arts scene. A number of us juggle daytime professions with after-hour passions, and we do a small part to augment our community with unique, cultural experiences. This spring such an event sprung with a Friday night in April dubbed ‘Porters & Poetry.’ The experience was born from a love of written language, performance arts, and craft brews. The setting in MacRostie Art Center, with local creations gilding the white walls, was inspiring.

Featured poets punctuated opportunities of open mic, and all was enhanced by a round or two of libations. We had roughly 80 in the crowd, which we figured wasn’t too shabby for a poetry reading in the north woods of Minnesota. Having gone well, thanks to support from area organizations and individuals, we wrote in a second round for October. Instead of featured poets punctuating the open mic, we tried to change it up with competitions for original limericks and haiku.

Why limericks? They’re just fun, and you can’t argue with that. Why haiku? Haiku, is Japanese micro-poetry, traditionally being an artistic observation and enjoyment of nature. In the midst of a gorgeous Minnesota autumn with the changing colors at their peak, inspiration from nature was abounding in October. Art reflects nature, and nature is an artistic creation of its own; so one cannot live in the beauty of the north woods without being inspired by every breath of clean, pine-scented air.

wind swirling tall pines:
The gravel is carpeted
in fresh, amber shag.

            Whether hiking far north of Grand Rapids on the trails of Suomi Hills, or in the heart of downtown on the banks of the infant Mississippi, an artist is inspired by the tremble of every aspen and the chastising from every squirrel. Not that one needs an excuse to get outside and enjoy nature, but the haiku challenge of our latest Porters & Poetry gave great reason to do so. Apparently it is customary for Japanese to go on a nature walk for the sole purpose of seeking an inspiring moment in time and nature, from which to write haiku. I found it difficult to set a poetry quota of one when the inspirations of nature are countless; from towering pines to trumpeter swans to vibrant rose hips…

those wild crimson lips
kiss the shrubs where roses grew,
bid farewell to green

            But all good nature walks must come to an end, and in time one has to come inside and go to a poetry reading to share it with others. If a pint of Minnesota’s finest brew or a glass of red wine are to accompany the eloquence of spoken word- so much the better. And best of all, proceeds from Porters & Poetry went to Grand Rapids Players community theatre; so essentially an artistic event helped to raise funds for other artistic experiences. That’s collaborative sustainability in Minnesota’s Nature; And creating arts in Minnesota is almost as good as going into the woods to find inspiration.

Rows of red fingers
interlock in rev’rent grace.
sumac radiance

A friend gave me syllabic criticism on a haiku I had written. I argued ‘wild’ was indeed two syllables; or at least it is when I pronounce it in my dialect, with a schwa before the ‘ld’. Looking online, every site said ‘wild’ was one syllable. Finally on a forum, I found a post stating that although some diphthongs may sound like two syllables in some dialects, such as ‘wild’ for me, a diphthong is a moving monosyllabic sound and so it is always only one syllable. So I stand corrected and wrote the following haiku about it. (apparently ‘prayer’ is two syllables, even though I would argue the vowel mix in the middle is all diphthong, but that’s a new rabbit hole to tackle at another time). Until then, my haiku on phonetics:

it seems diphthongs are
moving monosyllables.
may sound two, e’er one

Transition into Character. TEDx ItascaCommunityCollege, October 21, 2014

The Uncommon Loons present you with the cast of this summer’s Shakespeare in the Park production of “Much Ado About Nothing” (adapted and directed by Nathan Bergstedt):
Beatrice – Autumn Gordon
Benedick – Nathan Sackett
Hero – Bethani Adamson
Claudio – Simeon Aitken
Leonato – Jeff Nylund
Don Pedro – John Nalan
Don John – Malcom Wessing
Borachio – John Schroeder
Margaret – Steph Schroeder
Dogberry – Josh Cagle
Friar Francis – Patrick Zabinski

Performances are at Riverfront Park on the west side of the Grand Rapids Area Public Library.  June 27, 28, and 29. Plans are also in progress for performances July 11 and 12 in Bigfork.

With a quick turn-around of two weeks (and limited time in my schedule to rehearse) I’m jumping back on stage to defend my title with a new dance partner/choreographer. This year we’re doing a jive to ‘You Can’t Stop the Beat’ from Hairspray. I’m loving it! But it’s making me realize I am out of shape. It’s time to renew that Y membership.

There’s a big part of theatre and performing arts that says ‘If you forget a line or don’t know what you’re doing, just smile and act like you do.’ This seems more truthful for dance than anything else. Not to say I don’t have it down…but I admit I will probably be making a few errors confidently. As long as I err in confidence, I trust no one will know. Regardless, it’s sure to be a good time!