Unless you know me personally, readers of this blog might not know that in addition to essays and haikus, I also write plays (as well as fiction, and poetry beyond the haiku). My theater comrade, J…
Source: On the fringe of the Fringe
Unless you know me personally, readers of this blog might not know that in addition to essays and haikus, I also write plays (as well as fiction, and poetry beyond the haiku). My theater comrade, J…
Source: On the fringe of the Fringe
A maple with spile:
No tap at any saloon
gives forth such nectar.
It’s a tradition in my family to tap the maples and boil sap. Hauling buckets, cooking outside, doing it the old fashioned way. I remember going to my grandparents’ on the north shore of Mille Lacs as a kid, basking in the sweet steam from the pan and catching sweet drips straight from the tap into my mouth.
Maple syruping is a lot of work. My grandparents are still going strong, but at ages 92 and 88, it’s been a few years since they put out the taps. I’m eager to pick up the tradition again and carry it forward. This year I’m going small scale with just a half-dozen taps, will cook in a pot on a propane burner, and will be happy to produce a single cup of syrup. Next year, though, next year… next year I hope to use the family pan. At my grandparents’ is a sorghum pan the my great-grandfather purchased from a Montgomery Ward catalog for $11. Patched and polished, it still works, and it’s the part of the Hall syrup legacy.
Before then, there will be much work to do for next year, including building the firebrick infrastructure to support the pan, splitting wood into small pieces, and the rest of the labor that goes into this love. Until then, I will revel in cooking a tiny batch of syrup for satisfaction of the experience. The rest my annual supply I will have to source from my friends’ internationally awarded, commercially produced, locally made syrup at Fideldy’s Timbersweet.
December 15, 2015, marked the end of a 60-year performing arts legacy in Grand Rapids, Minnesota. As with many other Northern MN artists, the organization had a large influence on my stage experiences; it began with my debut on its stage at the age of 10 and concluded with my leadership participation in events during this summer past that would turn out to be its last. I’m sad to see her go; yet with the rest of its final board of directors, we were the one who euthanized her.
Read the full article: Keep your boat afloat.
a thick morning fog
turns to frost on pine and spruce:
breath-frozen beauty
cold, white haze in air
desaturating colors
I long to see sun
green limbs sag tiredly
struggling to hold their burdens
of wet, heavy snow
black satin ruckus:
guests devour feast of carnage.
a murder of crows
I stand at crossroads.
Three birds come investigate.
They leave, unamused.
bald eagle flapping
talons grasp weak spire of spruce
cannot find balance
The cold burns my face.
It lets me know I’m alive.
It purifies me.
steam from industry
embraces trees in the cold
a beautiful hoar
river to my left
in tracks of one before me
through hallway of pines
Finally! Finally it feels like winter in Minnesota. After months of mild, snowless, unexciting days, we’ve been blessed with adequate accumulation of the white stuff and now a small stretch of days have bowed to sub-zero temperatures.
For many, sub-zero mercury is a good reason to stay inside. Although I can’t blame the sentiment, it didn’t work for me. A cold but sunny, beautiful weekend sounded to me like the call of adventure.
After a late sleep on Saturday and a couple cups of French press, I bundled up, purchased my annual ski pass, and headed north to my favorite acreage in Itasca County. At five below zero, the air was crisp and pure; but the wind was biting.
The cold burns my face.
It lets me know I’m alive.
It purifies me.
Two parallel tracks pull me deeper into the woods where I follow the paths of others
yet find experiences of my own
Methusalan pine
stands sentry over his trail
solemn as I pass
The great thing about skiing in the woods at sub-zero temperatures is that everyone else is staying indoors. I don’t have anything against other people (in general) but when it comes to being in the woods, I don’t want to see them or hear them. Two back-to-back afternoons in the frigid forest left me alone with the Creator.
As I emerged from lowlands darkened by dense balsam firs, a sudden movement caught my eye. Swiftly and silently a large owl alit from his perch and flew down the trail ahead of me, only to disappear around the bend. As I came into the light among the bare poplars, I startled him again and he led me down the trail a second time. Never making a sound. Never disturbing a branch. He disappeared into the thicket and I didn’t see him again.
the tightened walls of balsam fir
obscured my sight of trail inferred
when ’round a bend, a flat-faced bird,
whose perching peace my presence stirred,
and from his branch, in silent whir
he flew through thicket undeterred
and disappeared with motion blurred
into the brush unseen, unheard.
From deep, dark swamp, to open woods, where naked aspen let the light pass unobstructed. There along the land near a lake, aspens had fallen left and right; felled by a beaver. a destructive, productive, constructive beaver. I had seen his work before, in the autumn when I passed that shore and saw the timbers scattered and strewn. I had seen the beaver himself in the pelt, but I imagine now he’s resting in lodge. Foresters had come and gone wielding chainsaws to clear the trail. With messes of timbers there was no dispute on which cut was man’s and which the beaver’s. Clean slices verses rugged chews. The saw was more efficient, but the incisors made for better interest. Tall pines stood on the open shorelines, unattractive to the palette of the paddle-tailed rodent.
I followed the waterline with my slipping steps, until the trail pulled me away again into the wood. To pass through balsams once again, and then through birches catching light, until again I found the lake, to where I stopped to take a breath and sit on the bridge that crossed the creek.
And as each day drew to a close, the sun set low to touch the trees and cast their shadows, creating paths and patterns across the snow-covered ice.
a late sun sinks in the cold.
tracks meander through penumbrae
that pull from stately pines
on lawrence lake.
apexes of pine silhouettes
retreat from the sun
as it sinks into the cold
and the blue shadows lengthen.
Before the sun could disappear completely and leave me stumbling on my slats through the dark, I called it a day and began the final stretch. Unexpectedly comfortable, now at 10 below, I spread my toes to climb the hill. Red pines climbed up the slope on my right, which looked down to the lake.
dwarfed by Norwegian kings
as I ascend to their throne
and stand in awe of their greatness
they rule with silence
speaking only in whisper
when the wind provokes
Two days spent all alone on skis: just me, my Maker, and a skin-biting breeze. I could have stayed inside, but to seek adventure is to be alive.
Reprinted from ‘Make it Minnesota‘
Living in Itasca County is a blessing with its idyllic crossroads of Minnesota’s Nature and growing rural arts scene. A number of us juggle daytime professions with after-hour passions, and we do a small part to augment our community with unique, cultural experiences. This spring such an event sprung with a Friday night in April dubbed ‘Porters & Poetry.’ The experience was born from a love of written language, performance arts, and craft brews. The setting in MacRostie Art Center, with local creations gilding the white walls, was inspiring.
Featured poets punctuated opportunities of open mic, and all was enhanced by a round or two of libations. We had roughly 80 in the crowd, which we figured wasn’t too shabby for a poetry reading in the north woods of Minnesota. Having gone well, thanks to support from area organizations and individuals, we wrote in a second round for October. Instead of featured poets punctuating the open mic, we tried to change it up with competitions for original limericks and haiku.
Why limericks? They’re just fun, and you can’t argue with that. Why haiku? Haiku, is Japanese micro-poetry, traditionally being an artistic observation and enjoyment of nature. In the midst of a gorgeous Minnesota autumn with the changing colors at their peak, inspiration from nature was abounding in October. Art reflects nature, and nature is an artistic creation of its own; so one cannot live in the beauty of the north woods without being inspired by every breath of clean, pine-scented air.
wind swirling tall pines:
The gravel is carpeted
in fresh, amber shag.
Whether hiking far north of Grand Rapids on the trails of Suomi Hills, or in the heart of downtown on the banks of the infant Mississippi, an artist is inspired by the tremble of every aspen and the chastising from every squirrel. Not that one needs an excuse to get outside and enjoy nature, but the haiku challenge of our latest Porters & Poetry gave great reason to do so. Apparently it is customary for Japanese to go on a nature walk for the sole purpose of seeking an inspiring moment in time and nature, from which to write haiku. I found it difficult to set a poetry quota of one when the inspirations of nature are countless; from towering pines to trumpeter swans to vibrant rose hips…
those wild crimson lips
kiss the shrubs where roses grew,
bid farewell to green
But all good nature walks must come to an end, and in time one has to come inside and go to a poetry reading to share it with others. If a pint of Minnesota’s finest brew or a glass of red wine are to accompany the eloquence of spoken word- so much the better. And best of all, proceeds from Porters & Poetry went to Grand Rapids Players community theatre; so essentially an artistic event helped to raise funds for other artistic experiences. That’s collaborative sustainability in Minnesota’s Nature; And creating arts in Minnesota is almost as good as going into the woods to find inspiration.
Rows of red fingers
interlock in rev’rent grace.
sumac radiance
sprightly chickadee
sticks beak in snow. emerges.
with frosty goatee.
birches at day’s end:
the sun chooses at random
several to keep
sage lichen dabbled
on a gray and white canvas
a subtle beauty
rainy December.
a red flag slices the drab:
northern cardinal
two lonesome brothers
kept each other company
for a century
four open perches;
nuthatches and chickadees
take turns on just one
red-breasted nuthatch
throws out several black seeds
before taking one
high above the trees
eagle nest waits silently
for coming spring brood
A wasps’ paper orb
hangs fragilely on a branch
over the river.
Though it ended with no venison in the freezer, the weekend was not lost. Two amazing days in Creation are medicine for any soul. While I sat awaiting my quarry, I filled my notebook with the inspirations and the experience of basking in God’s handiwork– even if man did interrupt the tranquility with distant traffic noise and low-flying planes. And so… a few haikus from a tree stand:
My body shivers.
I see my breath in brisk air.
Sun’s rising warms me.
A nuthatch of Payne’s,
enters his cozy knot hole.
Then re-emerges.
three pink ribbons dance
tied to small trees marking lines
that men imagine
Breaking winter grays:
green moss, lichens sage and gold.
The trees are still dressed.
Five clean, white birches
stand neatly in a straight row.
One leans in to kiss.
I hear ‘swish’ above.
look to see, just over trees,
an eagle fly low
a blue jay clamors.
he leaps branch to branch squawking
oddly musical
A lonely, charred stump
recalls a forest fire
a century past.
squir’l scampers through leaves.
stops to devour a feast:
a cupcake I tossed
Long strings of black pearls
adorn the tall, gray lady
with green, bristled hair
I came for the deer
but now I’m hunting for words
to write my haiku.
among the drab hues
a sudden flash of azure
wings flourishing white
invisible thread
catches the sun, glints silver
and then disappears
Tree shadows lengthen
reaching to end a short day
and silence the woods.